Top 2015 Movies at the Domestic Box Office (Rank 101-200)Īll Time Domestic Inflation Adjusted Box Office for Limited Release Movies (Rank 1,401-1,500) Loss Of Virginity, Coming of Age, Artists, Set in San Francisco, 1970s, Voiceover/Narration, Non-Chronological, Dysfunctional Family, Animated Sequences, Infidelity, Sex Crimes, Sexual Awakening, LGBTQ+, Hallucinations, Narcotics, Autobiographical, Actors Making Their Directorial Debut, Love Triangle, Relationships Gone Wrong, Sundance Film Festival 2015Ĭaviar, Cold Iron Pictures, Archer Gray ProductionsĪll Time Domestic Inflation Adjusted Box Office (Rank 7,801-7,900)Īll Time Domestic Non-Sequel Box Office (Rank 7,201-7,300) R for strong sexual content including dialogue, graphic nudity, drug use, language and January 5th, 2016 by Sony Pictures Home Entertainment October 23rd, 2015 (Wide) ( South Africa) September 24th, 2015 (Limited), released as Diary of a Teenage Girl ( Australia) See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.Īugust 7th, 2015 (Limited) by Sony Pictures ClassicsĪugust 7th, 2015 (Wide) ( United Kingdom) Latest Ranking on Cumulative Box Office ListsĪll Time Domestic Box Office (Rank 8,001-8,100)Īll Time International Box Office (Rank 10,401-10,500)Īll Time Worldwide Box Office (Rank 11,801-11,900)Īll Time Domestic Highest Grossing Limited Release Movies (Rank 1,201-1,300)Īll Time Domestic Box Office for R Movies (Rank 2,801-2,900)Īll Time International Box Office for R Movies (Rank 2,301-2,400)Īll Time Worldwide Box Office for R Movies (Rank 3,101-3,200) theaters, 1.6 weeks average run per theater $2,000,000 (worldwide box office is 1.1 times production budget)Ĥ opening theaters/795 max.
Minnie emerges defiant—taking command of her sexuality and drawing on her newfound creative talents to reveal truths in the kind of intimate and vivid detail that can only be found in the pages of a teenage girl's diary.ģ.76 (domestic box office/biggest weekend) She first finds solace in Monroe’s seductive smile, and then on the backstreets of the city by the bay. Minnie’s hard-partying mother and absent father have left her rudderless.
THE DIARY OF A TEENAGE GIRL TRIAL
News commentary of the Patty Hearst trial echoes in the background, as Minnie’s young eyes soak in a drug-laden city in transition—where teenage rebellion and adult responsibility clash in characters lost and longing. Set in 1976 San Francisco, the film begins at the crossroads of the fading hippie movement and the dawn of punk rock.
Minnie begins a complex love affair with her mother’s boyfriend, “the handsomest man in the world,†Monroe Rutherford. Click for trailer below.Like most teenage girls, Minnie Goetze is longing for love, acceptance and a sense of purpose in the world. “The Diary Of A Teenage Girl” opens August 14 at Landmark Century, Renaissance Place and other theaters. Like all tightrope walks, “The Diary Of A Teenage Girl” is fearless, and often breathtaking.
THE DIARY OF A TEENAGE GIRL MOVIE
She learns she learns better, and she learns well, but the movie is about becoming, not being judged, and not about judging oneself. And yet, seen through Minnie’s imagination, the world becomes a more complex (if confounding) place than the dynamic of that triangle would suggest. A mustachioed Alexander Skarsgård plays her beau, Monroe Rutherford, a handsome thirty-five-year-old who has no business setting and sustaining this fire, with Peter Pan-precision. Kristen Wiig plays her confused, confusing mother with modulated notes of abandon and occasional desperation. Minnie Goetze, played by the wide-eyed Bel Powley, is a gifted artist whose comics-inspired drawings (and fantasies) are kept within the pages of her notebooks until she begins an affair with her mother’s boyfriend. It’s 1976, the hippies are passing, punk rock is about to arrive, the kidnapping of local heiress Patty Hearst covers the news. But eventually Heller and Gloeckner’s great accomplishment is to make a movie that’s about the necessity of finding the measure of self-worth within the pursuit of liberty (and fucking). The confusion that comes with her sexuality is described with a high, and even sometimes stoned, order of comic candor. “The Diary of a Teenage Girl,” Marielle Heller’s adaptation of Phoebe Gloeckner’s San Francisco-set coming-of-age graphic novel, is a fantastic gust of teenage bluster, capturing a fifteen-year-old girl’s first sexual experiences with glee, greed, filth, squalor and little, if any, judgment.
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